While some members enjoyed the option to sleep in this morning, others woke up bright and early to go to the Minnesota Marine Art Museum on a party bus. Apparently the bus company overbooked all its regular busses, so they sent us a party bus for transport to the art musem.
Coming off a late night, the Glee Club started the day a little behind schedule. But by car, subway, and light rail eventually everyone arrived at the Boys and Girls Club of St. Paul. We then participated in three consecutive workshops with choruses of elementary, middle, and high schoolers. In one workshop we learned the song This Little Planet and sang it as a round with the middle school choir before adding original dance moves and having a sing/dance off. A different group performed an arrangement of Michael Jackson’s classic Man in the Mirror and before long the Glee Club enthusiastically joined them in song to create a truly touching moment. The conductor of the school’s singing program Siri told her students that the Glee Club showed that music can be an important part of your life even when you get and even if you do not intend to be a professional musician.
After having completed the three workshop classes, the Glee Club had some free time to explore the city of St. Paul. Gleeks flocked to the Science Museum, the Cathedral of St. Paul, the state capitol building, and the Schubert Club Museum.
In the afternoon the Glee Club gave a short performance at the Boys and Girls Club of St. Paul to an audience of kids and teachers while standing behind a purple Prince mural.
The performance became interactive when Gleeks and kids sang a round/mash-up of children’s songs. Afterwards, the Glee Club participated in a final workshop with Commusication, an after school music program for the St. Paul area in which students meet at least three times a week to rehearse singing and piano under the musical direction of Ryan Laboy. Commusication seeks to be accessible to all youth, create great music, and offer a welcoming community; it recently performed alongside Leslie Odom Jr. at Super Bowl LII. The students in commusication were incredibly well-focussed and simultaneously having a really fun time. With them we played a game that involved practicing proper singing posture and we also learned a song Draw the Circle Wide, which the students explained was about inclusion, accepting each other no matter our differences, and how we’re all stronger together.
Today’s activities with various youth singing groups exemplified the power of music to bring people from very different backgrounds together to create something beautiful out of love.
-J. Finley Ong ’21
Despite losing an hour of sleep to daylight savings, the Glee Club began the day early and in spritely form at Gloria Dei Lutheran Church of St. Paul. We showcased some of our sacred and spiritual repertoire ranging from William Cornysh’s Ave Maria Mater Dei from Renaissance England to Fenno Heath’s arrangement of the American spiritual Sometimes I Feel Like a Motherless Child. The service opened with a gorgeous organ prelude from our accompanist Tom Sheehan and closed unconventionally with an ecstatic performance of the Japanese folk song Mogami Gawa. Between the first and second church services members of the glee club spoke with members of Gloria Dei’s congregation about music, Harvard, and Minnesota among many other topics over much-needed mugs of coffee.
After church the glee club travelled to the Mall of America, the 4,870,000 square foot monument to consumerism big enough to fit seven Yankee Stadiums (Wiki). After eating a quick lunch Gleeks descended upon the mall. Some spent their time browsing the mall’s over 500 stores, while others rode roller coasters in the Nickelodeon Universe theme park or played a round of mini golf.
In the evening the Glee Club returned to Macalester to prepare for the evenings concert. We had a conversation with Michael McGaghie, HGC alumnus and former resident director, about some of his most salient memories in the Glee Club and about points of change and continuity during his long time with the Glee Club.
By 7:30 PM the gents had donned their white tie and tails and taken front row seats with an absolutely packed house to listen to a wonderful set from the Macalester Concert Choir. Afterwards, the Glee Club took the stage. This concert being the first major performance of tour, we performed with incredible energy. This concert included the world premiere of the Benedictus from the Davison Mass by Carson Cooman, a modern take on a traditional missa brevis that captures a unnerving sense of deep uncertainty. The Glee Club will perform the entirety of the mass, written for a men’s choir, treble-bass choir, and two organs, on Sunday, April 15 with the Boys Choir of All Saints at Ashmont at Parish of All Saints, 209 Ashmont St, Dorchester Center, MA. Oliver Berliner ’19 made his debut concert performance as conductor of Harvard Glee Club Lite. The Glee Club finished its set with the Football Songs and an enthusiastic crew of alumni including former president Eduardo Cabral ’16 joined us in song. The concert concluded with a combined performance between the Glee Club and the Macalester Concert Choir of Unclouded Day.
After the performance choristers and gleeks alike celebrated the performance in a manner that can certainly be described as raudimus.
-J. Finley Ong ’21
Here it is. My senior year, and my final Harvard Glee Club Spring tour. This year, we are traveling from Minneapolis to Chicago, by way of Winona, MN and Milwaukee, WI. It’s been a long first day, so let’s get into it.
Tour began, as it typically does, with an early morning flight out of Boston. So, at 4:15 AM, all the bleary-eyed, sleep deprived Glee Club singers received their tour booklet (containing pertinent travel details and information about places of interest) and boarded shuttles to Boston Logan.
That previous sentence brings me much happiness, because for once, every single member of the Glee Club was present and on time. That is a strikingly rare occurrence for the Glee Club, and it seemed to be a fortuitous start to the tour. One unfortunate contributing factor to our timeliness was that a couple of my fellow singers were not able to join us on tour, making this group the smallest group I’ve traveled with in my four years. It is a big change from last year, when I was with the largest group I had traveled with, and I was a bit sad that we would be missing some valued members of the Glee Club for this first leg. However, the loss of more baritones than tenors or basses restored equilibrium between sections that the Glee Club has not experienced in years; later in the day our faithful and fearless conductor Andy Clark likened conducting this well-balanced choir to driving a Rolls Royce or Ferrari.
Once we arrived at the airport, we all made it to the gate and on-board (after navigating some issues regarding tickets and the maximum dimensions of a carry-on bag). The flight to Chicago went smoothly, and I managed to complete a crossword puzzle while on board the plane. Many of the Glee Club members took this as an opportunity to catch up on an abbreviated night of sleep, or finally fall asleep after staying awake through the previous night. After a brief Starbucks visit and a 55 minute flight from Chicago to Minneapolis, we disembarked and met Mike McGaghie, the choral director of Macalester College. He was there to meet us, but also our conductor, resident conductor, and accompanist. They took off to get to the campus early, while the Glee Club hopped on the tour bus for the short ride to the college.
Brief aside about the Minneapolis airport: for some reason, Chinese is the second language printed on most of the signage, though there are few Chinese people as far as I could tell from the small sample of people I saw at the airport.
It was a cloudy day in Minnesota, and although I was later told that much of the snow had melted, there was a solid couple of inches still on the ground. The pale blue light made it difficult to know what time of day it was, and that combined with our abnormally early start to the day actually made it easier for me to enjoy the experience of travel, rather than trying to worry about the work I would have to do during tour to be on track once I got back to campus.
We were dropped off at the Janet Wallace Fine Arts Center, where we deposited our bags in the orchestra room, then went to the choir room to have our lunch (Papa John’s Pizza). I can’t draw any deeper connections between those rooms uses and their respective music ensembles, but I leave that as an exercise for the reader. After lunch, we went into the concert hall to begin our afternoon of rehearsing.
The concert hall, as our conductor put it, has a very “wet” acoustic, which to me meant that it is reverberant, and fairly generous in terms of making the Glee Club sound good. It’s far from cavernous, and I think will make for a welcoming first concert. We ran through our set-list for our concert before being joined by the Macalester Concert Coir.
The Macalester Concert Choir is close to my heart for two reasons. 1) Its conductor Mike McGaghie was a member of the Glee Club and its resident conductor for several years before I arrived at Harvard. He was also in attendance at the Considering Matthew Shepard performance in Spring 2016 and at the performance of Stravinsky’s Oedipus Rex with Emmanuel Music this February. 2) One of my friends from high school choir, Corbin Dodd, is in his fourth year in the Concert Choir, and will be going on his final tour with them. Our joint concert will represent Macalester’s send-off concert, and my first time performing with Corbin since singing with him in Spain.
Dr. MaGaghie led us through a brief rehearsal of our combined piece, and then we were free to eat delicious pita, hummus, and chicken kabobs while getting to know the members from the other choir. As might be expected, we had a lot of similar interests: performing arts and choir tours, but also abstract mathematics and teaching. We wrapped up the evening after dinner by thanking our hosts with a “Domine,” and then dispersed into our homestays.
Tomorrow: HGC goes to church (the Christian kind), church (the capitalist kind), and church (the music kind).
Written by Curtis Wu ’18, Photography by Rowen VonPlagenhoef ’21, Edited by J. Finley Ong ’21